Folklore Village: Dance Yourself into the Past

Based outside of Dodgeville, Wisconsin, what Folklore Village is can be partly deduced by the name: not a village, but a center based around folk arts and culture. Jane Farwell, a native Wisconsinite from nearby Ridgeway who specialized in Scandinavian dancing, founded the establishment in 1968. She wanted a place where she could recreate the music, dance, food, and folk customs from all over the world.

Starting with just a small one-room schoolhouse, Folklore Village has since expanded to include a large barn (named Farwell Hall after the founder), a small house, a historic church (which was moved from near Mineral Point, Wisconsin), and a shed used for blacksmithing. They offer different classes (including blacksmithing, fiddle lessons, wooden spoon carving, soap making, and more), festivals (including New Year Festivals, Scandinavian Weekend, and Cajun Music Weekend), and monthly barn dances.

“Folk dancing is one of those rare activities from which people of all ages and walks of life can readily gain a large measure of satisfaction. In the beginning, most stand outside the fringe of those who ‘belong’ until someone extends a smile and a beckoning hand… we have no chance to wonder what this power is that so swiftly makes friends of strangers, yet we have a good time and the very important feeling of really being included. We realize that the spirit of the people we are with is more important than our own skill in dancing.”

-Jane Farwell, “The Makings of a Good ‘Saturday Night’”

Although FLV was founded for all of these purposes and continues to uphold them, I want to talk about what it is underneath all of that- A place of community and acceptance. I have asked some people around me “What is Folklore Village to you?” in order to give a better understanding of just how deep the connections and sense of community goes.

What is Folklore Village to You?

My mom, Bren Radtke, stated, “Folklore Village is a community for lovers of dance and culture. It is the foundation of how my family emerged and evolved.” This statement helps to clarify my history with the place. It’s where my parents met. It’s where they got married. And it’s where they spent a good portion of time raising us.

My family has even more history embedded in FLV, though. My dad, Steve Sprain, was a member of the original performing dance group and has been attending since the first event. My grandmother was friends with Jane Farwell, and they lived right down the street from the one-room schoolhouse where it all started. On April 30^th, 1969, Jane held an open house and invited all of the immediate neighborhood to join in, and so began my family’s unwavering involvement in FLV. On several occasions in these early days, they wouldn’t have enough people to complete a square for the square-dances, and my father would walk down to his house and bring back my grandparents to finish the set. More than once, he woke them when doing so, but not once did they hesitate to get out of bed and join in.

I was eager to hear what my dad’s first thought was when I asked him “What is Folklore Village to you?”

He told me, “It doesn’t matter what you do or who you are, when you’re there, we’re all the same. Nobody is better than anyone else; everyone is accepted for their own talents.”

FLV is a setting where people of all backgrounds and occupations come together, with no suppositions that any one lifestyle is “better than” another. People from numerous backgrounds can feel at home. There are doctors and lawyers, farmers and truck drivers, astrophysicists and machinists, TV producers and circus performers, professional musicians and those who can’t play a note. Every day we’re defined by these titles, but at FLV, they’re irrelevant.

Similarly, my sister Lydia responded, “A place where all are accepted to rejoice in the sound of music and art of dance.” Lydia is wheelchair-bound, and I think the fact that someone who is unable to physically dance like everyone else still feels so included really says a lot. There are simply no barriers (physical, mental, or emotional) between who is allowed to participate and who isn’t.

My brother, Micah, simply described it as, “A place where you can be you without judgement.” Micah has always been “a goofball”, and many environments tend to suppress those with silly tendencies (intentionally or not). At FLV, my brother and everyone else can feel free to be themselves without the fear of judgement or social penalty. If anything, uniqueness and creativity are encouraged, in whatever form they may come in.

Lastly, our family friend Paige Rice stated, “It’s a place where people of all backgrounds can come together and be a community. A place where different cultures and arts are appreciated and celebrated. It unites different ages, races, and backgrounds. There are times I would almost describe as magical; in its serenity and welcoming environment…Though I haven’t been going there as often as others, it has still become somewhere I cherish and keep close to my heart.” Paige was introduced to FLV through my family and is most familiar with the annual New Year Festival. I believe this is what she is mainly referring to when she describes the serenity of the place.

New Year Festival

I have been attending FLV’s New Year Festival since I was born, and I have yet to spend the holiday in any other way. This festival is a fun-filled, event-packed, 4-day celebration. Every year, the classes, workshops, skits, and food are different; but, some things stay the same. There are some traditions for the night of New Year’s Eve that are customary (and some might even argue necessary at this point).

Every year we dance The Heilsberger Dreieck (a traditional German piece) and The Francaise (a 5-part quadrille which was traditionally danced by “higher-ups” in Europe and is still danced there on New Year’s Eve today). We sing in the small church on the property, we gather around a bonfire at midnight, and we then return to Farwell Hall to bring in the new year with peace, love, and togetherness. After some time spent quietly and on reflection, we celebrate with homemade tortes (which are very rich cakes), snap-dragon (a game from the 16^th century- raisins in a bowl of brandy which is set alight, and they are eaten still flaming), and, of course, more dancing.

Barn Dances

Barn dances are held once a month. The nights begin with a potluck where everyone is invited to bring a dish to pass. These nights are often not based on a theme, but rather filled with square dances, contra dances, waltzes, and any requests one might have. An example of a request I often made as a child is the Fox Dance. This dance is a favorite of kids who frequent FLV. One person is picked as the “fox” who “sleeps” in the middle of a circle made by the other dancers. The others do a simple dance around the fox that includes taking a couple steps in and taunting the sleeping fox. After two rounds of these harmless taunts, the fox slyly “wakes up” and catches someone else to be the next fox. Although there are more complex dances (usually saved for the New Year Festival), most of the dances taught at barn dances are simple and easy to follow. This allows everyone to feel included and welcome to join in.

Folklore Village has a lot to offer, but it’s so much more than just classes and festivals. In one of her many diaries, my grandmother wrote, “We went to pick up Steve from Folklore. And we stayed.” Folklore Village is a lot of things- a place for dance, traditions, art, and expression; but more than all of that, it’s the type of place you can’t help but to stay.